Kagamine P Mei Ittemiro! Romaji, Mylists, Information

[fascinates]

So, remember my romanization of P Mei Ittemiro! by maretu which contained 500+ producer names and was really kind of awesome (He did a parody of it and more people did parodies of it, it was pretty epic)? OrebananaP decided to do a more exclusive list...song and made a parody of the song but solely for producers who use the Kagamine twins in their works. And thus, here is the list of 550 Kagamine Rin and Len producers.

I think even more producers are known in this version though, since some who weren't added in the original song are here. I do hope you guys will check some of them out! :)

As before, this post will contain the lyrics, which are the producer names (romanized), the mylists/piapro links to their works and other name-related information. Those without URLs are those whose works I can't find :(.

That said, please do not repost this anywhere. If the original one took me a week, this took me eons to write ;_;.


Kagamine P Mei Ittemiro! / 鏡　音　P　名　言　っ　て　み　ろ　！

lyrics: OrebananaP
covering: maretu's P Mei Ittemiro
singers: Kagamine Rin and Len
| nicovideo link |


( 552 names )

Utaite Spotlight: Ryo-kun

[southerncross]

りょーくん/Ryo-kun

mylist | community | twitter | blog

Ryo-kun is a fairly new utaite. He just started uploading September of last year but he's slowly gaining a lot of fans. He's very active in uploading and makes it a point to upload 1 or 2 songs every month.

Ryo-kun's voice can be classified in the boy next door type of voice. I'm reminded of Keysuke every time I listen to him. His voice is not too high and not too low. Probably what sets Ryo-kun apart is the distinct gentleness of his voice. He can do a wide variety of songs and he doesn't lose the gentleness of his voice. He can do boyish covers like in Suki Kirai and he can go sexy like in Ee? Aa, Sou. He also shows his rapping skills in the Smiling ✽ Xmas edition ✽ collab. His BlackJack is his most popular cover and it is also the most popular cover of the song. What sets his BlackJack apart from other covers is that he doesn't seem like he's rushing the singing.

Make sure to listen to his twitaudio clips here. You can here him sing in shota voices and female voices. Ryo-kun usually sings in shota and female voices during his lives as well. He sings random songs as well.

Last May 10th, Ryo-kun celebrated his birthday. It was also on this day that I started following his twitter account.

Ryo-kun also mixes but he's still in the learning process so there's some lapses in his mixing. Usually, he has other people mixing for him.

Blackjack (Yucha-P original)
Kakurenbo (buzzG original)
Catfood (doriko original)
Risky Game (KurousaP original)
crack (keeno original)
Shinkaron code:variant -with maro.- (ORYO original)
Suki Kirai -with Meeko- (Honeyworks original)

len says

I first learned of Ryo-kun when we started updating the ofurotaimu tumblr. Because of the tumblr, I got to learn a lot of new utaite and Ryo-kun is one of my best finds. My favorite is his cover of Kakurenbo. However, all of his works are worth a listen. I really have a weak spot for gentle, medium range voices so Ryo-kun really caught my attention. What I noticed with Ryo-kun too is that in collabs, you'll notice him more than his partner.

Since Ryo-kun is young in NND, I can't wait to hear more of his covers. I could really tell that he will still improve.

Producer Spotlight: IntroP

[fascinates]

Apologies if it's a day late, I was distracted yesterday by the Kagamine P Mei Ittemiro post OTL.


IntroP /イントロP

mylist | blog | piapro

IntroP is one of the few popular female Vocaloid producers. She started her Vocaloid career mid-2008 and even though she uploads rarely, continues until now. Her name "IntroP" was taken from a typo of the katakana for "instrumental". Despite that, she fits her name well as she is also known for her uniquely beautiful song intros.

IntroP's music is heavily influenced by traditional Japanese music, and it shows in the instrument she uses as well as in the themes she conveys in her songs. Most of the time, her songs talk of adventures and myth-like situations, which she expresses with grandiose orchestraic music with interchanging pace and pitch. Her music can be likened to Ebot's rich and complex instrumentation and kaoling's ambitious and dreamy themes. It could be a reflection of her longing for her hometown which, as she said in one song, she left in order chase her dreams, and that one of the things that comforted her was Vocaloid. She also composed a song dedicated to her hometown, its legend and its scenery (titled "Susanowo"). Don't be fooled though, despite her traditionally-inclined music, she has sense of humor to make songs which are light-hearted and even humorously twisted at times.

Her main Vocaloid is KAITO and even though she has used Miku in some KAITO duets and in a couple of solos, she sticks to KAITO, probably because of his flexibility in terms of range and genre. Like Ebot, she has the skill of using KAITO's natural talent for singing traditional/ethnic songs. She tunes him liberally with a wide range from very, very low to screechingly high. While her tuning is not exemplary like other KAITO producers, her KAITO fits her brand of music well and the combination is just marvelous.

She does collaborations with other P's mostly to make the melody for their lyrics. She also draws, and the images in her earlier works were made by her. She also has a wonderful voice, as shown in her self-cover of Susanowo, where she showed her love once again for her hometown, showing in the video various attractions and adding descriptions to them.

She recently collaborated with other KAITO producers to compile probably one of the best albums of this year: AO, which is an album of KAITO singing songs with a traditional flavor. A sample of her track, Nefertem, can be heard here.

sample songs
• Susanowo
• Crazy Clown (w/ Miku)
• Inaba no Shirousagi (The White Hare of Inaba)
• Anata no Kuru no Ura ni Boku wa Naritai (I Want to be Under Your Shoe)
• Yume Kake Uta (A Song Credited to a Dream)

nikki says:
I first learned of IntroP's wonderful music when I heard Terry's version of Yume Kake Uta. I looked up the original and I learned that IntroP made the song because she was inspired by the art (not the other way around!). She also provided the background vocals for the song. Curious, I listened to her other works and was forever taken by her musical style. No two songs of her are alike, because she uses different tempos and instruments in each of her works, not to mention the themes are extreme and can be about deception at one point, then tranquility, then being a masochist. Like Ebot and kaoling, she exerts a lot of effort into making her melodies as vivid and complicated as she can, and with her it's always a myriad of ethnic-y sounds melding into beautiful music + Kaito's voice. If you're into traditional stuff or into songs by Ebot, kaoling, Vocalotus or even some of HitoshizukuP's works, please give her a listen.